mondomili.blogg.se

Ear trainer for indian music
Ear trainer for indian music






  1. EAR TRAINER FOR INDIAN MUSIC PDF
  2. EAR TRAINER FOR INDIAN MUSIC SOFTWARE

It comes with loads of courses and you can select the one you like Like Jazz, for example. What’s great about Earmaster is that you don’t need to be specialized in one instrument, even though it will ask you to choose if you play Guitar, Bass, Piano or something else, you don’t really need to play any of these to take advantage of the software. It will help you learn to recognize, transcribe and sing melodies, scales, chords, intervals, chord progressions and rhythms, as well as provide you with rhythm training, sight-singing practice, and more.Īdditionally, you will have access to a tutor to guide you.

EAR TRAINER FOR INDIAN MUSIC SOFTWARE

She was the owner of Caris Music Copy, a music manuscript preparation service, in NYC from 1984-1986 and was the owner of Caris Music Services, from1989 until 2012, which served primarily as a distributor of educational European jazz publications.Earmaster is an ear training software suitable for all levels that features over 2500 music theory exercises.

ear trainer for indian music

She served as instructor of ear training for Phil Woods’ COTA Jazz Camp. In addition to performing, she also teaches composition and ear training (privately and as a guest lecturer at various universities such as Berklee College of Music and New York University) as well as private oboe instruction and reed making. She is also featured on a 2013 CD release of Brazilian music entitled Familia (Vectordisc), along with her daughter, Lydia and the David Liebman Group. Her compositions can be heard on numerous recordings including Jamey Aebersold’s educational publication and CD, Contemporary Standards and Originals Vol.81. She has recorded with saxophonist David Liebman on Homage to Coltrane Trio+ 1 -with Liebman, Jack DeJohnette and Dave Holland Timeline Classique Miles Away(all Owl Records), Natural Selection -with Quest (Evidence Music), Puccini:A Walk in the Clouds (Arkadia), Conversation (Sunnyside) as well as with drummer Billy Hart on his CD Rah (Grammavision). She has been the leader of jazz groups, featuring her original compositions for oboe and English horn in a contemporary jazz setting.Ĭaris has studied with Joe Lovano, Lee Konitz, Joe Viola, George Garzone, Steve Prosser, Harvey Diamond, Jim McNeely, Bob Mintzer and Charlie Banacos. In 1981 she moved to New York and enrolled at New York University, receiving her B.S. She attended the Berklee College of Music in Boston from 1979-1980 as a jazz performance major on oboe. Influenced by the soprano of Coltrane, she decided to take up the oboe, trying to graft many of the soprano saxophone’s nuances and sounds onto the instrument. Growing up two hours north of Philadelphia exposed her to the great influences of that jazz mecca including John Coltrane and McCoy Tyner. Heinze, (former student of John de Lancie, Philadelphia Orchestra). She began her oboe studies with Thomas C. Topics Covered: Importance of Being Musically Self-Sufficient, Lowest Note and Its Applications, Internalizing and Visualizing Pitch and Intervals, Movable Do Solfege, Tendency Tones, Sight Recognition, Sol Fa Studies and Muscular Memory, Conducting, Sight Singing and Solo Transcription Through Singing, etc.Ĭaris Visentin Liebman is an oboist, English hornist and composer.

EAR TRAINER FOR INDIAN MUSIC PDF

NOTE: There is a small PDF bundled with the download version of this video (not the $8.99 streaming version) which includes some materials and exercises that support these concepts. Presented here are many techniques to expand the ear’s aural awareness of pitch and musical possibilities through suggested exercises. The purpose of this lecture is to make the musician self- sufficient by developing the ability to inner hear, accurately placing pitches through muscular memory and then executing the sounds or emulating the notes as played on solos to aid in the development of one’s personal improvisational language.

ear trainer for indian music

She also explains the Solo Transcription process through an approach that internalizes solos based on hearing and singing them first rather than simply reading the transcriptions in a one dimensional physical exercise between the eyes and fingers.

ear trainer for indian music ear trainer for indian music

Description: Caris presents (Movable Do) Ear Training techniques and their creative applications.








Ear trainer for indian music